Adrian Shaw Solo Projects

 
(For Adrian's pre-Bevis Frond period see the Hawkwind website.

Tea For The Hydra   (Woronzow, WOO 27 CD, 1997)

Tea for the Hydra Son Of Sam - 5:40
Heart Of Stone - 8:00
Falling - 6:16
I'm Glad I'm Me - 3:18
Teeth Of The Hydra - 5:34
Roger's In A Home - 6:14
Machine Music - 3:14
Red And Grey - 8:24
Trillib - 4:42
Iron Curtain - 4:21
Live For The Day - 5:36

with:
Ade Shaw - All instruments, except:

Nick Saloman - Lead Guitar, Organ (Red And Grey), Drums (Machine Music)
Andy Ward - Drums (Red And Grey)
Bari Watts - Lead Guitar (Heart Of Stone)
Aaron Shaw - Lead Guitar (Roger's In A Home)
Pete Pavli - Violin (I'm Glad I'm me)


Displaced Person   (Woronzow, WOO 29 CD, 1998)

Displaced person What if? - 4:55
The Only One - 4:08
I Move On Wheels - 5:03
Ascension Day - 6:01
Northern Lights - 5:06
Preoccupied - 5:25
Stalking Horse - 8:14
Placebo - 3:52
British Grenadiers - 3:54
Mongrel - 5:11
In The Gutter - 6:05
One Last Drink For The Band - 8:14

with:
Ade Shaw - All instruments, except:

Nick Saloman - Lead Guitar (What If?)
Bari Watts - Lead Guitar (One Last Drink For The Band)
Aaron Shaw - Lead Guitar (Preoccupied, Mongrel), Farfisa Organ (British Grenadiers, One Last Drink For The Band)


Head Cleaner   (Woronzow, WOO 32 CD, 1999)

Head cleaner Symbiosis - 5:31
Mobius Trip - 4:01
What Else? - 3:23
Staring At The Sun - 5:20
Round And Round - 4:03
Tattered Butterfly - 5:57
All In The Mind - 9:03
Same Old Game - 3:18
Drowning - 5:52
Things I Learned - 5:08
You And Me - 5:14

with:
Ade Shaw - All instruments, except:

Nick Saloman - Lead Guitar (All In The Mind, Round And Round), Organ (Round And Round)
Bari Watts - Lead Guitar (Staring At The Sun, Same Old Game, Tattered Butterfly)
Aaron Shaw - Lead Guitar (Drowning, Things I Learned), Organ (Symbiosis)
Simon House - Violin (Symbiosis, You And Me)
Ric Gunther - Drums (Same Old Game, Tattered Butterfly)


Look Out   (Woronzow, WOO 51 CD, 2002)

Look Out I Don't Think So - 9:02
Another Face - 6:06
Rhododendron Mile - 4:24
The Chosen - 5:58
Few Are Called - 4:47
Remembrance Of Things Past - 5:37
Father's Day - 7:01
Oh, To Be Young - 2:39
A Modern man - 8:39
Cool Blue Reminder - 4:51
Childhood's End - 2:52

with:
Ade Shaw - All instruments, except:

Nick Saloman - Lead Guitar (1st solo: I Don't Think So)
Tony Hill - Lead Guitar (2nd solo: I Don't Think So)
Aaron Shaw - Acoustic Guitar Solo (I Don't Think So)
Bari Watts - Lead Guitar (Father's Day)

 
With respect to this new Ade Shaw album, here are some thoughts behind a couple of tracks as told by Ade himself:

"I Don't Think So" is a bit of a rant, just a chance to get a few things off my chest. The first verse is a swipe at an old band member who's well known for his lack of integrity and seems to delight in his own bad behaviour. I think you might have an idea as to whom that is. The second verse is a diatribe against the farming community in the UK who seem to spend their time either wrecking the countryside or tearing harmless creatures to pieces. Verse 3 ( which also contains the mid section) is me having a go at our consumer society in general, the "something for nothing" attitude that's so prevalent, along with the way multi-national companies squeeze every last penny out of the poor consumer.

"Another Face" is in 3 parts, the first verse deals with an old man I know well who was once very independent and now is infirm and needs help with everything, the 2nd verse is about a friend of mine who was once beautiful and vibrant and isn't any more, the last verse is about yet another old friend and band member (now deceased) who just threw away his life by drinking himself to death. The whole song is basically how we all start out with optimism, options and hope and gradually watch our choices diminish, our friends disappear, change or die.

"Rhododendron Mile" is, as you guessed, about my time in Dorset with Arthur Brown in 1970. Originally it was a lot more specific but I didn't like the end result so I re-wrote it. The title is a road leading to the farmhouse we used to live in with Arthur and Co.

"The Chosen" was based on something I read about a boatload of Jewish refugees in the 2nd World War who, whilst attempting to escape the Nazis by sea, ended up in a Turkish port, were towed back out to sea against their wishes and torpedoed. There were only a couple of survivors.

"Few Are Called" is me returning somewhat to the theme of "I Move On Wheels". What would it be like to be completely incapacitated. Even more so, how would you deal with it when you'd be talked into the situation that caused your condition against your better judgement? I liked the way that the music on this track was so completely out of keeping with the subject matter.

"Father's Day" was in response to my best friend dying of cancer and another dear friend, who has a young family, being very seriously ill. Just an observation of what that sort of disaster does to a family.

"A Modern Man" is me having a go at another ex-friend and band member! Not that I'm bitter, you understand!

"Childhood's End" is more sinister than you might imagine. There's an underlying theme that I'd rather not be too specific about but was inspired by a high-profile news story a year or so ago in the UK."

"I can't help but think that as I was ill or undergoing treatment whilst I was writing and recording a lot of this album it's a lot darker than my previous work."


String Theory   (Woronzow, WOO 55 CD, 2004)

String Theory Mirrors - 4:02
Thirty Two - 8:04
Do It Again - 2:48
Cotham Hill - 3:28
Bide My Time - 7:01
Lost For Words - 5:51
Stirrup Cup - 4:48
Oak and Brass - 3:48
Non-Stop Dancing - 5:55
Saving Grace - 18:37

with:
Ade Shaw - All instruments, except:

Nick Saloman - Lead Guitar (Saving Grace)
Paul Simmons - Lead Guitar (Thirty Two)
John Perry - Lead Guitar (Non-Stop Dancing, Saving Grace)
Aaron Shaw - Lead Guitar (Saving Grace)
Brendan Quinn - Organ (Mirrors)
Ric Gunther - Drums (Mirrors)
Bari Watts - Lead Guitar (Mirrors, Bide My Time, Saving Grace)

About the last track Saving Grace:
This is the longest track I have ever done" (Adrian Shaw) and it can be split into three main parts.
The first part is Ade at his psychedelic best! Built up over a sitar and other Indian instruments, it has a very hypnotic quality to it that is interspersed with sound bites from what appear to be TV evangelists!!
The second part is the main part of the song which is about "Life on the road after 35 years". How hard it is but how I wouldn't have missed it for anything." (Adrian Shaw) "I miss my bed, I miss my chair, I miss clean sheets and underwear"
The final part is where Ade lets his mates loose on the track. The incendiary Bari Watts is first up, scorching out a trail that is masterfully followed by Ades son Aaron (a brilliant guitarist in his own right!), Then comes Nick who is unmistakable in his excellent playing and finally John Perry who seems to create the sonic equivalent of an orgasm with his guitar. Then Ade mixes all the solo playing by everyone together in a heady mixture of guitar wizards so that you quickly lose track as to who is playing what! An amazing end to a top notch album...


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